David Dye

EDUCATION

1968-1972
Dip AD (BA) St Martins School of Art.
1984-1986
MA in Fine Art Goldsmiths College, London Univ.
2010-2011
PhD : Backwards into the Future: an exploration into revisiting, representing and rewriting art of the late 1960s and early 1970s. University of Northumbria

Conference
Presentations

2012
Thursday 28 June: Film performance and presentation of overview of PhD titled 'Lost in Translation?' For EESI at Academie des Beaux-Arts, Paris.
2009
Friday 6th March: Paper delivered for 'United Enemies' a one day conference at Henry Moore Foundation, Leeds.

ACADEMIC POSTS

1974-1976
Associate Lecturer
(BA in Combined Studies) Brighton Polytechnic
1979-1992
Associate Lecturer (BA/MA in Fine Art) Newcastle Polytechnic (UNN)
1992-1993
Senior Lecturer (BA Fine Art Course Leader) University of Northumbria (NP) at Newcastle
1993-2010
Senior Lecturer (MA Fine Art Course Leader University of Northumbria(NP) with PhD supervision and Internal examining)

Solo Exhibitions

2013
An evening of early film and performance May 4th. Northern Charter, Commercial Union House, Newcastle.
2011
Residency at High Bridge Studios Jul/Aug. resulting in site-specific Installation. (see blog at helensmithresearch.wordpress.com)
1996
'Ultra', Installation for The Tannery, London
1992
Cleveland Gallery, Middlesbrough
1991
'The Big 'O'', Installation for Riverside Studios, London
1990
The Showroom, London
1988
'Steps', Installation for The Showroom, London with Andrea Fisher.
1977
'A/Partners', Installation for Arnolfini Gallery, Bristol
1976
Robert Self Gallery, London and Newcastle
1975
'Frameline', Installation for Lisson Gallery, London
1972
Installations and film performances, Institute of Contemporary Art, London.

Group Exhibitions

2013
Remaking of 'Tattoo' 1985 for Space Release, CIRCA Projects, as part of ongoing exhibition 'Does the It Fit' by Joanne Tatham and Tom O'Sullivan Oct.-Dec.
2012
'New A- Gender' Hoults Yard, Newcastle, May.
'A Hidden History' four month season at BFI. ConceptualArt, Sat.1st Sept. and Mon.3rd Sept. screening of documentation of 'Unsigning for Eight Projectors' (2000 version) originally 1972.
2011/12
'United Enemies' Leeds City Art Gallery, Dec/Feb.
2011
'Unfinished Business' Wallington Hall, Aug/Dec.
2009/10
'The Developing Process': the sculptor's education in drawings and photography. Leeds City Art Gallery.
2009
Restaging of 'Western Reversal' 1973, Expanded Cinema: Activating the space of reception, Tate Modern, April 19th.
2007
St Martin's Sculpture Dept., 1964-71,Tate Britain. July/Sept.
2006/7
'Two Cameras 1970, 'A Century of Artists Film in Britain, display at Tate Britain, Nov/Mar.
2004
Restaging of 'Eight Projector Piece' 1972, 'Legerdemain', .Globe Gallery, North Shields, Feb/Mar.
2003
'Mirror Film' 1971 in Film Programme Sculpture of the Screen, Tate Britain, July13th.
2001
'Live in Your Head': Museo do Chiado, Lisbon,
2000
'Live in Your Head': Concept and Experiment in Britain 1965-1975, Whitechapel Art Gallery, London, Feb-April
1998
'Strange', part of VANE, Cross House, Newcastle upon Tyne
Divers Memories/ Hong Kong,Museum of Site, Kam Tin
1997
'Divers Memories', Lieksa Museum, Finland
'Divers Memories' 'Company of Things', Manchester Museum
1995
'Out of Darkness', Tullie House, Carlisle
1994
'Divers Memories', Pitt-Rivers Museum, Oxford
1989
Installation in shop window, with students at Vestlandts Kunstakademie,Bergen, Norway
1988
'Death', Kettles Yard, Cambridge
'The Invisible Man', curators Kate Love and Kate Smith, Goldsmith's Gallery, London
1987
'Under the Sign of Saturn', curator Stuart Morgan, Nigel Greenwood Gallery, London
1986
'Interim Show', Goldsmith's Gallery, London
1984
'When Attitudes became Form',
1972-1975
curator Hilary Gresty, Kettles Yard, Cambridge, Fruitmarket Gallery, Edinburgh, Lyons, France.
1982
'Private Views', British Arts Council touring exhibition, U.K.
'Extended Photography', curator Peter Weibel Vienna Secession, 5th International
1981
'Construction in Process in Art of the 70's' Archive of Contemporary Thought, Lodz, Poland
1980
Installation, '3D', 'Scale for Sculpture' Serpentine Gallery, London (Southampton, Liverpool, Birmingham, and Swansea)
11th Biennale des Jeunes Musee d'Art Moderne, Paris
1979
'Film as Film', (Perspectives on British Avant Garde Film), Hayward Gallery, London
1978
Film Programme, Maison des Beaux Arts, Paris
1977
'Time, Words and the Camera', curator Jasia Reichardt Graz, (then touring Austria and Germany)
1974
'Beyond Painting and Sculpture' travelling Arts Council
'Project '74'', (Kunst bleibt Kunst) , Kunsthalle Koln BRD
1973
'Critics Choice' curator Richard Cork, Arthur Tooth's London
Independent Film Festival ICA London
1972
One man show of installations and film performance ICA London
The New Art' curator Anne Seymour, Hayward Gallery London
British Thing' Henie-Onstad Foundation Hovikodden Norway
1971
'The British Avant Garde' curator Charles Harrison N.Y Cultural
'Arte Come Idea en Inglaterra' Buenos Aires
1970
'Young Contemporaries', Royal Academy London

CONSULTANCY

1982
Artist in Residence Reading University
1988-1990
Critic Artscribe Magazine Contemporanea Magazine
1994/98
External Moderator Brighton University (Critical Fine Art Practice)
1998/2000
External Moderator Slade School of Art (Media Fine Art)
2001/4
External Moderator University of Hertfordshire (BA Fine Art) Faculty of Art and Design
2002/6
External Moderator (MA) Goldsmith's College
2002/6
External Moderator (MA) Chelsea School of Art
2005
External Examiner for PhD Goldsmith's College
2005/9
External Examiner (BA) Performance and Visual Art, University of Brighton
2010
External Examiner for PhD London Metropolitan
2008/11
External Examiner (MA) Art Based Masters Courses, University of Central England.

Publications

2011
Essay in United Enemies catalogue, at Leeds Art Gallery.
Blog for residency at High Bridge Studios. Jul/Aug at helensmithresearch.wordpress.com
Expanded Cinema: 'Art Performance Film' pp.14,121,252,14,238 Ed.A.L.Rees, Duncan White, Steven Ball, and David Curtis Tate Publishing.
2007
'A History of Artists' Film and Video in Britain' pp. 28,35,40, 213-14, 294. David Curtis Pub. BFI
2004
Essay for 'Legerdemain' catalogue by David Butler for Globe Gallery exhibition.
2003
'The Devices and Desires of David Dye', essay by Jean Fisher for 'Vampire in the Text: Narratives of Contemporary Art' Pub. Iniva
A review of my work at the ICA London, first published in the Evening Standard 04.05.72 was included in 'Everything Seemed Possible', by richard Cork a 4 volume anthology, pub. Yale University Press.
2001
'Snow in England', essay in 'Almost Cover to Cover' catalogue to Michael Snow retrospective at Arnolfini, Bristol : Lucy Steeds, September.
2000
Catalogue essay by Andria Tarsia plus reviews of 'Live in Your Head', Whitechapel Art Gallery, Feb-Apr.
With special mention of Eight Projector Piece:
Daily Telegraph, Richard Dorment
The Times, Richard Cork
1998
Catalogue for 'Strange', Cross House, Newcastle upon Tyne, October.
1995
Tullie House Brochure for 'Out of Darkness'
1994
'Installation Art' Nicholas de Oliveira Nicola Oxley
Michael Petry Michael Archer Thames and Hudson (p84)
1992
Cleveland Show Catalogue Jane Warrilow interviewer
Interview for 'Look North' (Venue) BBC TV 20 Feb
1991
Art Monthly'The Big 'O'Stuart Morgan interview Mar
1990
Brochure for one man show, The Showroom, 25 Feb-1Apr,text by Stuart Morgan
Reviews of one man show The Showroom :
'City Limits' issue No 441 Mark Currah15 Mar-22Mar
'The Sunday Correspondent' James Hall 25Mar
'Kaleidescope' BBC Radio 4 Feature 27 Feb
1988
'Artscribe' magazine Nov-Dec
Feature on 'Steps' at the Showroom by Stuart Morgan
1987
Reviews of 'Under the sign of Saturn' at Nigel Greenwood
Gallery, London :'The Independent' Marina Warner Mon 27July
'City Limits' issue 306 Louisa Buck 13 Aug-20 Aug
'Artscribe' Adrian Searle Nov-Dec
1980
'Aspects' issue No5 David Dye '3D' Spring
Feature on 'Scale for Sculpture' installation
1977
'Studio International' Sep-Oct
Review of Robert Self Show by Hugh Adams
1975
'Studio International' Alan Sheridan Nov-Dec
'David Dye Artist and Filmaker'
1972
'Art and Artists'Interview by Simon Field Dec
'Evening Standard' Richard Cork 4 May
'The Artist seeking the potential of film' ICA show review
'The New Art ' Catalogue interview Anne Seymour
'Art and Artists' Annabel Nicholson Dec
'Artist as Filmaker

Collections

Private Collections
Norman Rosenthal, Royal Academy
Joshua Gessel, International Collector
Public Collections
Arts Council of Great Britain
Victoria and Albert Museum
Henry Moore Foundation
National Trust